Brihadeeswara temple tanjore

Raja Raja Chola during his rule built the Tanjore Brihadeeswarar temple. Otherwise called 'Big Temple' (Periya Koil) the temple was built by the King on a sprawling piece of land. The greatness of this temple is marked by the enormous Lingam - the 'Brihadeeswarar' which is the prime deity of the shrineAnother remarkable feature is the great Nandhi. The Nandhi that figures at the entrance is also immense in size (a popular belief is that it is growing by the day). The Nandhi at this temple is particularly, splendid in the shape and symmetry that it shows. Periya Nayaki is the Goddess deity here. The Gopuram tower of the temple is 216 feet high and is topped by a block of granite 25 feet square and 80 tons in weight.This stone was hauled four miles over an inclined plane and put on top of the tower. The dome carved from a single stone weighing 80 tons, is surrounded by 250 arcades, each containing a lingam.

madurai meenakshi amman temple

The original temple was built by Kulasekara Pandya, but the entire credit for making the temple as splendid as it is today goes to the Nayaks. The Nayaks ruled Madurai from the 16th to the 18th centuries and left a majestic imprint of their rule in the Meenakshi-Sundareswarar temple. Its twelve gouprams (towers) are replete with sculpted figures of gods and goddesses. The four tallest gopurams stand on the massive outer walls of the temple, one on each side. The Southern Gopuram is the tallest in the temple and the only one that may be climbed. From atop this 50 m. (160 ft.) high gopuram, one gets a complete view of the other gopurams as well as the two vimanas (roof above the shrine).
Besides the four towering gopurams on the outer walls of the twin-temples, there are four smaller gopurams in each of the two shrine-compounds. The half-finished Rajagopuram, on the eastern side, has a base measuring almost 60 m. (174 sq.ft.). If it had been completed, it would have been the most spectacular temple tower in India. Sadly, however, it remains unfinished. You can enter the temple through any of its five entrances, though the eastern entrance, in front of the Meenakshi Sannadhi (shrine) is generally used, as Meenakshi is the reigning deity of the twin-temple. This is the only entrance which is not surmounted by a towering gopuram. For the visitor who steps in through this entrance, Ashta Shakti Mandapam (mandapam - hall) is the first place of interest within the temple. It was built by Tirumalai Naicker's wives Rudrapathi Ammal and Tholimamai. In this hall food was once distributed to the devotees who came from far off places. The sculptures on the pillars here relate some of Lord Siva's Tiruvilayadals (miracles) and also the story of Meenakshi's birth and her life as the princess of Madurai.

The temple city of Madurai is situated at a distance of 307 miles south of Madras on the main railway line. This is decidedly the oldest city of South India, truly representing Dravidian culture. European scholars have compared it to Athens of Greece. It was in the past the seat of the Tamil Academy (the Tamil Sangam) .... It is estimated that there are 33 million carvings in the Madurai temple.

kolam drawn in my house

Kolam is an auspicious art of decorating courtyards and pooja rooms/prayer halls in South India drawn mainly by women and girls. Some women use rice flour to draw a kolam, which is the traditional medium to be used while others use sandstone or limestone powder.

Although it is known as Rangoli commonly in many parts of India, it is known as Muggulu in Andhra pradesh, Rangavalli in Karnataka, Pookalam in Kerala, Chowkpurana in Uttar Pradesh, Madana in Rajasthan, Aripana in Bihar and Alpana in Bengal.

kolam designs start with dots which are connected to form lines and other geometrical shapes such as swastika, aum, stars, squares, circles, triangles etc. These geometrical shapes must be formed in a continuous, unbroken lines.

During Diwali and other festivals much more intricate shapes and designs are implemented. Rangoli has been developed as an art form - it is not uncommon to see very intricate street paintings (rangolis) with religious themes.